‘A performance which stared death in the face whilst energetically asserting the joy of being alive'
William Ruff (Nottingham Post) reviews our performance of J. S. Bach’s Mass in B Minor which took place on Saturday 10 March 2018 in the Cathedral.
Bach's B Minor Mass is the Everest of choral works. Where some performances make you only too aware of the huff and puff needed to reach the summit, conductor Alex Patterson and his forces seemed to defy gravity, flying above the many obstacles which the score places in the way of the unwary. Of course, this sense of effortlessness can only be generated by meticulous preparation.
The 31 members of the Cathedral Choir pack a powerful punch. The 'k' which kick-started the Kyrie eleison was explosive, heralding a performance which gleamed brightly and had a strong sense of purposeful conviction throughout. The way the opening was moulded also boded well, the sound allowed to swell towards the ends of phrases like buds opening to full ripeness.
In fact it was the subtle control of dynamics which gave the performance so much of its 3D effect. Other notable features included the fearlessly fast speeds which Alex Patterson adopted for the end of the Gloria and for the Hosanna , the Choir clearly relishing the chance to release all those notes stored in their bloodstream. The Sanctus was allowed to float heavenwards whilst moments such as the Gratias agimus and the Pleni sunt coeli had a much earthier, dance-like quality.
The soloists (Charlotte Brosnan, Roderick Morris, James Lister and Alistair Ollerenshaw) brought style, agility, eloquence, beauty of tone and a dramatic approach to storytelling to their demanding roles.
And the accompanying Helix Ensemble shone too, both collectively and in their tricky solos (for violin, flute, oboe and horn). Those wonderfully resplendent moments when the orchestra proclaims full-throated joy - with high trumpets and exuberant drums - were amongst the most memorable in a performance which stared death in the face whilst joyfully and energetically asserting the joy of being alive.
It was a great privilege to welcome conductor Paul Spicer to the Cathedral on Saturday 17 February to work with the Cathedral Choir ahead of their performance of Bach’s Mass in B Minor. Paul is widely known for his work with a range of choral establishments including the Birmingham Bach Choir, the Finzi Singers, and for his teaching at the Royal College of Music and Royal Birmingham Conservatoire.
It was an inspiring afternoon spent getting under the skin of Bach’s wonderful music and exploring the range of styles and intricacies the work demands.