Nottingham Cathedral Music
  • Home
  • Choirs
    • Cathedral Choir
    • Youth Choirs >
      • Childrens Choir 4-7
      • Boys Choir (7-13)
      • Girls' Choir (7-13)
      • Cathedral Youth Choir (13-18)
      • Mansfield Children's Choir (7-13)
    • Scholarships
    • Diocesan Choir
  • Schools Programme
  • Support Us
  • Music & Events
    • Archive
  • Contact
  • Staff
    • History
  • Organ
  • Blog

Blog

‘A musical and logistical triumph’

28/2/2017

 
Review of the Monteverdi Vespers performance which took place on Saturday 25 February 2017 to a sold-out Cathedral.
Picture
Monteverdi's Vespers is sumptuous as sound and as spectacle. We're not too sure why he wrote it but for many listeners it conjures up the very essence of Venice in the year 1610.

On Saturday night its glorious opening could hardly have been more dazzlingly theatrical: after a brief, urgent solo prayer the Heavens themselves seemed to open, with brass fanfares and a tsunami of bright, buoyant choral sound. The effect was like sun bouncing off the Venetian lagoon, piercing the windows of St Mark's.

For conductor Alex Patterson this performance was both a musical and logistical triumph. Not only were three choirs involved (Nottingham Cathedral Choir and Youth Choir joining forces with St Mary's) but also the period instrument expertise of the Monteverdi String Band and the English Cornett and Sackbutt Ensemble. The work calls not only for complex musical effects but also for a theatrical use of space. Some of the most moving parts of this performance (as in Duo Seraphim and Audi Coelum) were when sound emerged from a distance, shrouded in mystery, suggesting infinite echoes through time and space.

The performers were alert to the work's constantly changing textures. Monteverdi uses the full band relatively sparingly - and always with thrilling effect. But just as compelling on Saturday were the many solos: attentive to period style and all an essential part of the narrative and purpose of each hymn, psalm or prayer. Almost operatic spatial effects, as well as vivid word-painting, added to the consistent sense of drama.

Amongst this Vespers most impressive features: the brightness, bite and rhythmic vitality of the choral and instrumental sound; the stylistic unity achieved by large forces; the contribution of much well-judged musical detail to the effect of the massive whole. All those involved should feel proud of what they achieved.

William Ruff
Nottingham Post
Picture

    Archives

    November 2022
    December 2021
    July 2021
    January 2021
    September 2020
    March 2020
    February 2020
    January 2020
    November 2019
    October 2019
    September 2019
    May 2019
    April 2019
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    October 2017
    September 2017
    August 2017
    June 2017
    April 2017
    February 2017
    September 2016
    July 2016

    Categories

    All
    175th Anniversary
    Alumni
    Amy Summers
    Cabaret
    Cambiata
    Cathedral Choir
    Cathedral Youth Choir
    Concerts
    Diocesan Choir
    Female Composers
    Helix Ensemble
    Lincoln Cathedral
    Lourdes / Paris
    Mass In B Minor
    Music Festival
    New Music
    Nottingham Music Hub
    Profile
    Schools
    Spem / Dixit
    Tobias And The Angel
    Tour
    Vivace
    Work In The Diocese
    Workshops

    RSS Feed

Location

Contact Us

North Circus Street
Nottingham
​NG1 5AE

Nottingham Cathedral

DIOCESE OF NOTtingham

  • Home
  • Choirs
    • Cathedral Choir
    • Youth Choirs >
      • Childrens Choir 4-7
      • Boys Choir (7-13)
      • Girls' Choir (7-13)
      • Cathedral Youth Choir (13-18)
      • Mansfield Children's Choir (7-13)
    • Scholarships
    • Diocesan Choir
  • Schools Programme
  • Support Us
  • Music & Events
    • Archive
  • Contact
  • Staff
    • History
  • Organ
  • Blog